Zs are a Brooklyn based trio who come off as a group who like to throw in anything into the mix at any given time. There is a bit of spontaneity in what they do but there’s some sonic choreography so people can be sure they are on their mission to go through the music from star to finish. With the use of the saxophone, they may come off like the ghosts of Captain Beefheart & The Magic Band, Smegma, or Hell Cows and while those comparisons are/can be impressive, they show something that opens them up to the possibility of everything, which is what they do on Ze. The guitar work may sound like random doodling in spots while it may find its way to a goal in other portions, but the thing is the listener isn’t sure where things bein, end, or came from somewhere else. Or at least that’s one way of describing what they do. There are times when the rhythms go well beyond the math rock quota but a few seconds later, they may get into experimental mode and it sounds like a sandpaper circle being played at 78rpm.
What I also found impressive is that if you don’t pay attention to when the songs change, you will not know when songs actually begin or end. I would love to see how these guys do it in a live setting for while the noisy parts is what I love, I also really like when there are general melodies, as they do in “Corps” complete with unique rhythms and a twisted sax solo. Hearing this made me want to be deliberately on the edge. We’re just wrapping up month two of 2015 but I have already found one of my favorite albums of the year.