VIDEO: Dale Crover’s “Bad Move”


Melvins drummer Dale Crover will be releasing his debut solo album after playing with the same band for 422 years. In truth, more like close to 35 years and while Crover has done a good amount of session work and a solo EP in 1992 for Boner, he has never done a full solo album. That will change with The Fickle Finger Of Fate (Joyful Noise Recordings) and for the first video, he goes back 37 years ago to honor the solo video for Paul McCartney, “Coming Up”. Check out “Bad Move” and see if Crover has any bad moves. The album will be out on August 4th but you can pre-order it below via Amazon.com.

SOME STUFFS: Official Melvins documentary film on its way


When the filmmakers behind The Colossus Of Destiny: A Melvins Tale were looking for anything for people to contribute in the making of their Melvins documentary, I passed along some letters Buzz Osborne sent to me when I was a high school radio disc jockey between 1986-1987. I mentioned how I had bought a 7″ single from Green River and getting the record and a letter from one Mark Arm. Arm was nice enough to include a free record as a way to say thanks and for me to check out. It was Melvins’ first record, a 6-song 7″ EP released by C/Z Records. I ended up liking Melvins far more than I liked Green River at the time. A year later, Melvins released their debut album called Gluey Porch Treatments and Buzz was nice enough to say thank you for the airplay I was giving it. I was only 16 or 17 at the time. Not as a souvenir but I simply kept the letters as I always thought it was cool.

A few years later, when Melvins were signed to Atlantic Records, I asked for a chance to interview them and I did a phone interview with Buzz. At the end of the interview he goes “where are you from now?” and I told him. He then goes “wait a minute? John? You’re the guy from that radio station who played us in high school, right? How have you been?” Back then, I had my own fanzine and was doing a one-off Melvins issue called I Love You Melvins: rah, Rah, RAH and to make a long story short, 30 years this fall, I will be a Melvins fan for 30 years despite the fact I’ve never seen them live, other than on video tape and what I’ve seen/downloaded from YouTube.

What do my last two paragraphs have anything to do with this documentary? Well, I had thought I could be a micro-contributor with one of my letters but I don’t think any of my notes were used but nonetheless, I will watch The Colossus Of Destiny: A Melvins Tale, which was directed by Bob Hannam. They are currently looking for places to screen the film, be it film festivals or “other” so if you’re someone who is able to present this, please head to MelvinsMovie.com for more information. When it gets near you, please watch it and remember: we can go to church and you’re naked.

AUDIO: Mike & The Melvins’ “Chicken n Dump”


18 years ago, Melvins were going to release a collaborative album with bassist Mike Kunka, who had taken a break from GodheadSilo to work with Buzz and Dale. They were that close to releasing it and for whatever reason, nothing was heard from it, not even a single. They all returned to the project last year and decided it would be a very good time to finally have it out so here it is. They’re calling themselves not Mike & Melvins but Mile & The Melvins and the album, due out on April 1st, is called Three Men And A Baby. Despite the release date, this is not a joke, no April fooling here, it will be out on that day. From it is a song called “Chicken n Dump”, which is said to have been written by a 9-year old girl. Well, she was 9 years old at the time but she is now 23 and will hopefully earn whatever royalties an album like this could lead to.

Here’s the track listing. Sub Pop are releasing this one.
1. Chicken n Dump
2. Limited Teeth
3. Bummer Conversation
4. Annalisa
5. A Dead Pile of Worthless Junk
6. Read the Label (It’s Chilli)
7. Dead Canaries
8. Pound the Giants
9. A Friend in Need is a Friend You Don’t Need
10. Lifestyle Hammer
11. Gravel
12. Art School Fight Song

RECORD CRACK: Qui release split 7″ with Dale Crover

Qui/Dale Crover photo QuiCrover_cover_zps6jwyanto.jpg
A unique vinyl union is here for you: the group known as Qui are on a record where the flip side features drummer Dale Crover of Melvins. It means another morsel to add to their distinctive discographies and if you are a Melvins collector, I bet that Melvins room is packed up to the neck. Now you can add a new 7″ single courtesy of Joyful Noise and check out Crover’s “Big Uns” (a song meant for big uns and lil’ uns) and Qui’s “Shame On You.” Not only that, Qui have made a video for their song, which you may have a look at below. The single can be ordered directly from Joyful Noise.

RECORD CRACK: Last records in Melvins covers tribute singles series to be released

Melvins photo Melvins7-2015_PS_zpsrl7drm19.jpg
If you have been picking up Melvins’ series of 7″ singles on Amphetamine Reptile with the clowns on the cover and were wondering when they were going to release more, there’s two more left and they’ll be out on Monday, March 16th. They are for A Tribute To The Jam and A Tribute To Throbbing Gristle, which now means everything that was on their covers tribute album Everybody Loves Sausages is out in 7″ form. The one for Throbbing Gristle is said to be a 3-song 7″ and will feature “Hamburger City” on the B-side. They will be sold exclusively at AmRep’s Shoxop, which means you’ll have to hurry up pronto.

RECORD CRACK: New Melvins split 12″ to be released tomorrow

Melvins photo Melvins0215_cover_zps5cf2c6c8.jpg
Amphetamine Reptile’s Sugar Daddy Splits Series continues with installment #13 and this time, Melvins are teamed up with Karp. The Karp folks will deliver “Rowdy” and “Bacon Industry” while our friends in Melvins deliver a live version of “Boris”. The record itself will look something like this.
Melvins photo Melvins0215_record_zps27950c6c.jpg

They will be made available tomorrow, February 9th at 2pm pacific/5pm Eastern, 10pm UK. Adjust your alarms accordingly, and head to Shoxop.com at the right time. As with most Melvins-related records in limited series, once this is gone, you have to deal with the eBay mafia fiends. If I could afford them all, I would but sometimes being a Melvins fan doesn’t mean having everything. As for you, get them.

RECORD CRACK: Early Melvins records to get special reissues

 photo Melvins_covers_zpscc60b0ae.jpg
If you’ve been a Melvins fan as I have, you most likely already have the original pressings of what will be reissued. The exception is that you’re not going to have these specific pressings, which will be unique in this configuration.

The records that will be released are their second album Ozma, their third album Bullhead, their fourth album Lysol, along with the EP that came before Bullhead, the awesome Eggnog:

  • Ozma was the album that followed up their awesome debut, Gluey Porch Treatments. By then, bassist Matt Lukin left the band and headed up to Seattle to join a few members of the now-defunct Green River in order to start Mudhoney. By then, Buzz Osborne and Dale Crover moved from Washington State to San Francisco, where Buzz met with bassist Lori Black. It was through this move that Buzz met up with Tom Flynn of Boner Records, and they ended up working together for a good four years. In fact, it is Boner Records who is handling the new reissues.
  • Eggnog was an EP that lead towards their third album, with three bite-sized songs on Side A and one bun-length song on the B-Side, which was incredibly slow. Despite its Christmas-themed cover, it was not a holiday record but its music was very much a treat.
  • I originally felt Bullhead was a weird album when it was originally released in 1991, not sure if it was because the arrangements of the songs sounded different, they began to be more open with their musicianship, or that the speed of the drums sounded different from their first batch of records. Perhaps it was the beginning of Melvins becoming more open with themselves, and it had taken me awhile before I got into enjoying this fully. I always loved “It’s Shoved” but by the time I finally got into the album as a whole, I realized everything I needed to hear was already there. I just needed to catch up.
  • When Lysol was released, I oddly enjoyed the music, and I say “oddly” for a few reasons. Originally, there was no track listing on the cover so I assumed that it was just one gigantic song divided over two songs. I hadn’t been familiar with Alice Cooper’s “The Ballad Of Dwight Fry” so I wasn’t aware it was covered on the album, nor did I know the album had six songs in total, so I loved it as some Yes-like mammoth feat. When I learned there were six songs, I had to re-listen to it all over again. Loved it more. It only seems slightly odd looking back because this was released in 1992, a few months after Nirvana blew up with Nevermind. No one knew at the time about Melvins getting picked up by Atlantic, so it seems unusual and perhaps now appropriate that they’d depart from an independent label with a set of music that sounded like it did here. Again, did one giant song really mark their entry onto a major label? The album also marked the debut of their new bassist, Joe Preston, whom I had known of as being a member of Earth. While his existence with the band was brief, he was more than welcomed. (You can see and hear more of him on their home video Salad Of A Thousand Delights.

    The new reissues from Boner are being released as two sets of two-record sets. This means Ozma and Bullhead will be released as one set, while Eggnog and Lysol, now called Lice-All due to the lawsuit, will be together as one. It may have come off odd to join these albums together opposed to Ozma with Eggnog or Bullhead and Lice-All but in many ways they’re fitting too, so that’s what fans will deal with. The new double records will be packaged with gatefold sleeves, featuring old photos of the band along with the original cover artwork. These sets will be out in the new year on January 20th. You may pre-order them below via Amazon.

    //ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00PLYTJ8E&asins=B00PLYTJ8E&linkId=2JFDILIY3LCTCB55&show_border=true&link_opens_in_new_window=true//ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00PLYTHTU&asins=B00PLYTHTU&linkId=KEV6JJYKRLD3MQA5&show_border=true&link_opens_in_new_window=true

  • REVIEW: Melvins’ “Hold It In”

     photo MelvinsHII_cover_zpsc7b39747.jpg What can you say about a band who has made over 5392 albums in their career, and they decide to release another one? You dive in to fine out what happens. In truth, you can say that Hold It In (Ipecac) is Melvins’ nth album, and to be honest I’ve pretty much lost track of how many albums they’ve released so far. What I can say that for this album, Buzz Osborne and Dale Crover are joined by Butthole Surfers’ Paul Leary and Jeff Pinkus to create music that sounds distinctly like Melvins music, a pinch of the Butthole magic, but also something else entirely. WHat makes this magical in a Melvins sense is that it retains the heaviness and sludge everyone has come to know and love but for these recordings, some of the songs reach a level not unlike the Foo Fighters or Queens Of The Stone Age, in that they’re, dare I say it, almost accessible. That comes through how Buzzo sings in portions of the songs, as if he’s trying to present himself as an all new man. Well, at least for some songs. What also makes this work is how Pinkus and Leary also share lead vocal duties, which also helps bring it a Foo/QOTSA vibe partially because it doesn’t stop stereotypically Melvins-ish, if that makes any sense. All of a sudden, they’re turning themselves inside out to do a country song. With songs like “Onions Make The Milk Taste Bad”, “Sesame Street Meat”, and “House Of Gasoline”, you feel like it is an “anything goes” thing but it’s a Melvins album, you have to come in expecting unpredictable titles, stories, and arrangements.

    Loosely, you could say that this is the album Melvins has been holding back from releasing, if they wanted to make big hits. Want to hear the Kiss influences? It’s still there. Want to hear something on the level of The Swans? Still there. Then again, this is Melvins, they’re far from the big hit band and yet they know they’re capable of doing something on that level. A part of me wants to say they’re holding back from being a hit machine but they’ve done the major label thing before, and I think at this point in their careers, as long as they’re still having fun, they are going to churn out whatever they want. They could be funky and groove happy like Big Chief for the next album, or do some music that sounds like a cross between Paula Abdul and Kim Gordon on the next one. No matter, for if you love Melvins, it doesn’t matter what they’ll do next, you’ll bow down and follow, as we all should on a regular basis. Hold It In is what it sounds like if they allowed themselves to let go for awhile. Like a wet water hose.

    //ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00MRR5PCW&asins=B00MRR5PCW&linkId=SBXLXHRS3K4CLOJL&show_border=true&link_opens_in_new_window=true//ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00N4JDGBY&asins=B00N4JDGBY&linkId=GL6BS6FHWHAVOIPP&show_border=true&link_opens_in_new_window=true//ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00MYJ1DHE&asins=B00MYJ1DHE&linkId=WE6RNRC7SOLTISA7&show_border=true&link_opens_in_new_window=true

    REVIEW: King Buzzo’s “This Machine Kills Artists”

     photo KingBuzzo_cover_zps7da4ab9b.jpg If you’ve been listening to Roger Osborne for close to 30 years as I have, then you know where he is capable of going. However, for his first solo album, Osborne, who we know as Buzz and commonly nicknamed King Buzzo, he wanted to try the unexpected. This Machine Kills Artists (Ipecac) may be the Unplugged technique, especially from someone involved in a band known for thelr electricity and volumne, but no one cares for Unplugged anything. Is it natural or woodsy? If you mean someone holding an acoustic guitar to play and sing, then yes, this album is woodsy.

    This Machine Kills Artists is an all acoustic album but don’t think the songs are toned down by any means. Some of these songs sound like potential demos for the full version, but for those of you who are gearheads and flock/worship Buzzo’s guitar work, you’ll get a chance to hear him with just an acoustic, played on a guitar that sounds like it has one of those looser-than-loose strings. The majority of the seventeen songs are under three minutes, with a small handful under two, so it still has the spirit of Melvins’ other material. If there is another difference besides eliminating an acoustic guitar, you get a chance to hear what Buzz is singing about and not make up stuff for yourself.

    By going acoustic, some might think Osborne is trying to be the next this or that, but don’t even compare. Think of him as doing something new, yet another different variation of what he has become known for. There are still a few weird elements heard in these songs that may lead you to think “aah, it still sounds like other people are there.” To be honest, there were some songs where I could imagine Ann Wilson of Heart doing a duet with him. I would welcome it, a return to Pacific Northwest greatness.

    //ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00JQOG744&asins=B00JQOG744&linkId=&show_border=true&link_opens_in_new_window=true//ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00JGWKU7Q&asins=B00JGWKU7Q&linkId=&show_border=true&link_opens_in_new_window=true

    SOME STUFFS: King Buzzo streams solo album a week in advance

     photo KingBuzzo_cover_zps9c6bb11b.jpg
    Melvins fans have been excited by the material and live performances from Buzz Osborne as a solo artist, and now the full album will be out next week Tuesday via Ipecac Records called This Machine Kills Artists. Fortunately, you don’t have to wait seven days to hear it for King Buzzo is allowing the album to stream in full a week beforehand, and you can listen to it now by heading to DangerousMinds.net. There are sixteen songs on this beast, so have a listen and see what Osbourne has to offer.

    //ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00JQOG744&asins=B00JQOG744&linkId=OTS7JALVPNVNFP5E&show_border=true&link_opens_in_new_window=true//ws-na.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=US&source=ss&ref=ss_til&ad_type=product_link&tracking_id=thisbosmu-20&marketplace=amazon&region=US&placement=B00JGWKU7Q&asins=B00JGWKU7Q&linkId=U6BNCKNXIYCYGOTM&show_border=true&link_opens_in_new_window=true