As he says the first line of the song, Inspectah Deck electrifies which is why he got involved in this new one by Git and 1Mt called “Lyrical Warfare”. The Wu-Tang master known as Rebel INS also brings in Random into the picture to offer one of those songs that’s too good to be true but exists.
Manifesto is not only Inspectah Deck‘s forthcoming album (due out March 23rd), but his fifth solo album is also the third for his own label, Urban Iconz. Those who still respect the Wu-ness will be happy to know that the album features Raekwon and Cappadonna, along with Cormega, Planet Asia, Termanology, Kurupt, and Billy Danze of M.O.P. among others. The Rebel INS once again gets to display his production skills, with additional contributions from The Alchemist, MoSS, Lee Bannon, and more.
If that doesn’t get you going, here’s something that will, “Serious Rappin‘” (Free MP3 download, 4.69mb), featuring Termanology and Planet Asia.
Brooklyn to Brooklyn, when you can have an artist based from a borough work together with a record label within the same borough, it can be helpful for both parties. Such is the case with Bekay, who is now down with Coalmine Records. Bekay’s own name comes from one of the many nicknames Brooklyn is known as, and if you’re an avid hip-hop fan, you’ve heard of BK from spending time on 106th & Park and maybe the Rawkus 50. But now Bekay is ready to take things to much higher levels with the release of Hunger Pains (Coalmine), and the title explains it all: the man is hungry.
First off, the anger. Some may known him as a battle rhymer, so by doing battle raps one has to ask what is he battling? In one of the tracks he condemns those who feel a need to constantly compare him to Eminem, from the way he flows to the shock value of some of the lyrics. But what does Bekay do? To make a point, he rhymes exactly like Em and does it with a fervor in his voice that you’re wondering if you’re hearing something from Brooklyn or from 8 Mile. That’s the purpose, to strip away the similarities in skintone and make blanket statements based on that.
The rest of the album is a nice attack of the senses, people who love nice rhymes and flows will be comfortable with the way Bekay sounds. In “Bloodsport” he confronts anyone who thinks they can step up to him and cut up Bekay’s shtyles. What is interesting is that he isn’t afraid to be in-your-face, so he’ll be saying words that normally one wouldn’t expect for an MC to say these days. He’s the kind of guy who doesn’t give a fuck what anyone says, but then again, that’s Brooklyn. You’ll hear a sound that is very much not only a Brooklyn thing, but an NY thing, so he goes out of his way to use hip-hop traditions for his own benefit, without taking away anything from who and what came before. The battle rhymes are a nice kick to the teeth, but he’s capable of proper song construction, something some battle rhymers tend to have problems with. Bekay doesn’t. When you also have artists like Heltah Skeltah (in the great “Crazy”), Inspectah Deck, Masta Ace, and R.A. The Rugged Man helping you out, it doesn’t hurt. These guys could easily say “I’m getting money to be on this track, let me rip you open” but it’s not like that, each of the contributors are here to show support and say “now check out Bekay”. It’s a good thing, and Bekay is in full swing.