REVIEW: Woody Witt’s “Pots And Kettles”

Photobucket Perhaps the title Pots And Kettles (Blue Bamboo) is meant to represent a “back to basics”/”back home” feel, but Woody Witt does a fine job of establishing his point with an album that mixes up jazz with pop touches. Witt is a saxophonist that is very in tune with his saxophones, never going overboard but making sure he always stays on track. He can play smooth when he wants to, but it’s a nice smooth, and it’s a joy to listen to.

Also a standout on this album is pianst Gary Norian, and it is because of the both of them that makes this album sound great (Witt and Norian produced the album together).

Suggested tracks: “Heart First”, “Listen Here”, and “Never Very Far”.

REVIEW: Harvie S’ “Cocolamus Bridge”

Image and video hosting by TinyPic You don’t have to be a bassist to understand how well Harvie S plays, but on the albums I’ve heard him on, the man plays the instrument as if it was the air he breathed. Now with an album under his own name, Cocolamus Bridge (Blue Bamboo Music) takes you on a journey that is not like any other. In other words, his music is damn good.

With help from Joel Fulgham (drums), Jose Miguel Yamal (piano), Woody Witt (tenor and soprano saxophones), Chris Cortez (guitar), and James Metcalfe (percussion), Cocolamus Bridge comes off like a jazz army troop with the kind of ammo meant to kill people with sound, but to bless them in a nice way before winning them over. Each song is over five minutes in length, with four of them surpassing the seven minute mark, and each of those tracks have the same kind of trusted feeling that one would get after hearing an ECM album. In other words, it’s a trusted brand with a trusted sound, and you take that going in and just listen for the save of being overwhelmed. With that said, will the music overwhelm you? Maybe that’s a big-headed claim but S is a musician who just takes command of the bass and turns it into his voice, it is how he speaks musicially but without flash. There’s a bit of confidence in that playing, but that comes from years of knowing what he is playing, and how he wants to play it. His cover of Wayne Shorter‘s “Night Dreamer” (from the 1964 album of the same name) is proof of how well S and friends perform individually and as a group, it’s just moving stuff.