SOME STUFFS: Audio Fidelity remaster albums by Herbie Hancock and Billy Cobham

AF: Herbie Hancock/BillY Cobham photo AF_HancockCobham_covers_zpsvktqhkpk.jpg
Audio Fidelity are exploring the world of 70’s jazz with two new SACD remasters due out on February 26th.

  • Thrust was Herbie Hancock’s follow-up to his massively successful Head Hunters album so after making an impact with that, he decided to go even furhter. The year was 1974 and with everyone waiting to see what he and his band would do, he went there and then went further than that into a soothing and funky vibe that has been loved by jazz, funk, soul and years later, hip-hop fans alike. Like Head Hunters, Thrust shines the spotlight on nothing but four cuts but each one displays a sense of power and warmth that still holds up. This is the album that also includes the song “Butterfly”.
  • It was with Spectrum that drummer Billy Cobham moved to a higher level than he was before as a member of the Mahavishnu Orchestra. Released on Atlantic Records, Cobham is joiuned by Jan Hammer, Lee Sklar, Tommy Bolin, and Ray Barretto for a set of music that moved him within his Mahavishnu groove but also helped make people realize he’s much more than just part of the maniacal fusion machine of his band. This one managed to be more accessible than what he did with his group, which allowed the album to make it to the #1 spot on the Billboard Jazz Albums chart.

    Both of these albums were also released in quadraphonic counterparts, and they will be released as part of the hybrid SACD, which means everyone will be able to hear newly remastered versions of each album on one side while those with SACD players can listen to the quad mix as well. This is the first time the quad mix of Thrust has been released digitally, while the quad mix of Spectrum had come out as a DVD-Audio disc 15 years ago so it’s a chance to pick it up to hear the surround sound mix if you missed it before.

  • SOME STUFFS: The Harmonica Lewinskies bring it all down with new album

     photo HarmonicaLew_old_zpsdc556372.jpg
    New York jazz/funk band The Harmonica Lewinskies bring together parties in a way that is uniquely their own, and fans will be picking up their new album when it’s released on Tuesday, September 23rd. The album is called Dad Rock and to hear exactly what The Harmonica Lewinskies can do, listen to “Put Your Mouth On Me” and hear how they do things. To find out more about them, head to their official Facebook page.

    REVIEW: Ross McHenry’s “Distant Oceans”

     photo RossMcHenry_cover_zps899fa7a2.jpg Ross McHenry’s Distant Oceans (First Word) is the kind of jazz album that would have fit perfectly alongside albums by Weather Report, Stanley Clarke, Joe Zawinul, Ramsey Lewis, Herbie Hancock, or something equally as adventurous in the early to mid 1970’s. It’s a jazz album played by guys who have a love for funk and fusion, where the bass riffs may border on carefully played minimalism, which is perfect for potential samples and loops. The opening song, “Intercosmos”, sounds as if it could’ve lead to five or more different songs, be it Fleetwood Mac’s “Tusk”, War’s “Beetles In The Bog”, or Bob James’ “Nautilus”, wherever you want it. The drum break that opens “Griffith Park” sounds ready made for a picnic, barbecue or any family gathering that will lead to people dancing, and the flute solo is gorgeous. Basically, what McHenry has done is put together an album that is well crafted from start to finish, with great album from Mark de Clive Lowe, Dylan Marshall, Jon Hunt, Luca Spiler, Myele Manzanza, Adam Page. It was interesting to note that we now live in an era of post-Dilla producers, which admits to the work and ear of the late hip-hop producer who have helped to inspire a new style of creativity that is centered on the analysis and celebration of the old and cherished, but very much alive and strong. I dig this big time.

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